Wednesday 20 May 2015

Model in Lumion





THE MASHUP OF THREE ARTICLES

The perceived quality of life in buildings is focused on a catalogue of configurations of geometry designed to enliven the experience of volumes. An architectural composition with magnificent compressed and released volumes generates a richness of vocabulary and combinatoric elements, for generating new experience of spaces.A variation of geometry makes the architectural design discover unexpected juxtapositions and additions of volumetric spaces. It catalyzes interactions among the sequence of spaces of structures on all scales into an organized alphabet. Often spaces that are overly concerned with replicating copies of basic elements makes the experience of urban spaces an instant misery. A living architectural design requires a library of structures on all scales sprouting like branches of varying sizes. For example, if nature had a single replicating organism, human interactions with nature will collapse over time as diversity is essential in our society as humans value pursuing this desire for changes and discovering new fashions.Analysis of buildings with replicating extensions is generally abandoned in discussion of architecture. A type of architecture survives only by inventing a library where contrast in geometries continues to evolve over volumetric spaces introducing changes to the internal experience that adds drama and merely maximizing the physiological connection of the user to the architecture

http://www.archdaily.com/447456/unified-architectural-theory-chapter-3/
http://www.architectsjournal.co.uk/comment/why-are-we-so-reluctant-to-turn-up-the-volume/8682146.article
http://www.mvrdv.nl/en/news/seoul-skygarden 

Sunday 10 May 2015

EXP 2 Final Submission_THE IMAGE CAPTURES AND ARCHITECTURE


"Contrasting structures of rectangular prisms will always meet at an intersection, likewise harmonious relationships between people of different ethnic backgrounds within a multicultural community will always be exercised."



FINAL SKETCHUP MODEL 




MARKER IN LUMION ENVIRONMENT 



1  Shows how shadow and light plays an effect on the marker during sunset 
2  Presents the compacted experience of the communal area received by visitors/ community members as conversations attract a unified community
3  Low angle on the marker to present the experience received by groups of drivers on the road as they follow the extruding prisms and together head towards the central communal area
4  Shows lined texture across a bridge which lures community members towards the communal area for harmonious gatherings
5  Outlines how the marker's structure consisting of prisms of different orientations and sizes gather in directing and framing the view of the stadium



LUMION FILES: EXP 2 MARKER 

https://www.dropbox.com/sh/9dkus3ljwqdltmv/AADaRd0gGSQxMiNo4ZTzUwVda?dl=0

Thursday 7 May 2015

Tuesday 5 May 2015

Update of EXP 2 Model

The contrasting structures of rectangular prisms resembles a multicultural community which intersect to a central area for harmonious relationships between members of the diverse cultural community to be exercised. 









(I haven't completed the whole site yet)

Friday 1 May 2015

THE TWO CONCEPTS

The two concepts used for the final marker is "contrast and connectedness" (Hans Scharoun) and "uniform and monolithic" (Daniel Libeskind). "Contrast and connectedness" highlights the diversity of cultures within the community which started with the Aboriginals to European settlers to other immigrants which together tell the story of Australian history. "Uniform and monolithic" references the interactions between the wider community and the larger world forms a sense of unity.

Despite the racial differences, the cultural diversity has created something monolithic as we are able to learn of the different traditions and cultures which come with each racial background.